For Molfessis, the aesthetic of the artwork is the “Trojan Horse” with which the work “accesses human sensitivity and is perceived”. The artist himself is among the pioneers of his generation who showed a keen interest in the technological achievements of their time, especially in the computer. Molfessis however, never used the computer to create his works; what he did was to use the binary language of the computer to create his own abstract artistic universe.

His house in Paris remained for years a meeting place for intellectuals and artists. Philosophers Axelos, Papaioannou, painters Prassinos, Coulentianos, Moralis, musician Xenakis, writers Alexandrou, Frangias or French Nobelist Claude Simon are just a few of the important personalities identified in Molfessis’s photographic archives.

In the twenty years period between 1950 and 1970 Molfessis mainly creates paintings which stand out for their lyricism, gestural style and dramatic expressionism, as well as for the color austerity that characterizes them (white, black, gray and ochre). Around 1960 he begins incorporating into his paintings the encoded language of the first computers, combining the black dots of the perforated telex tapes with his own gestural style. By transferring onto lead foils the system of dark points, holes and white spaces of the tapes, Molfessis creates his first reliefs. Using materials such as polyester, resins, plaster, metal, aluminum foil or lead, he processes and develops the forms that are created.

From 1970 onwards he starts creating in Paris and other cities of France – and to a lesser degree in Greece – sculptural spaces and monumental installations whose names such as Agora, Labyrinth, Sarcophagus, Temple, Fossil etc, refer both to ancient civilizations and to what Molfessis likes to call “remnants of the future”.

In 1988 Molfessis comes to Greece as a Professor at the School of Fine Arts of Thessaloniki. In 1991 he returns to Paris where he stays for another decade before settling permanently in Greece, dividing his time between Athens and Aegina, the island he chose for its particular light and gentle landscape. He works tirelessly, creative until the very end. He dies in his home in Athens on January 19, 2009, at the age of 84.