EDUCATION
2011-2016
PhD (RCA) Critical Writing in Art & Design, Royal College of Art, London, UK (by Thesis)
2008-2010
MA (RCA) Communication Art & Design, Royal College of Art, London, UK (CHS
Distinction).
2005-2008
BA (Hons) Video Arts Production, University for the Creative Arts, Maidstone, UK
(First Class).
2000-2004
BSc Economics, Aristotle University of Thessaloniki, Greece.
COMMISSION
 422 Arts facade commission, Manchester, UK

SOLO EXHIBITIONS
2019
‘Farewell to Thee’, Phoenix, Leicester, UK
‘Red Air’, Cork Opera House & National Sculpture Factory, Cork, Ireland
‘Squared’, UKYA City Takeover Festival, Nottingham (multiple locations), UK
2017
‘The Assassination of Guy Debord’, European Convention Center, Luxembourg
(Performance)
2016

“The Market Will Save Us”: The artwork, premiered for the first time in the US in
Boston, was paraded around the Boston Common, accompanied by a marching band
during Art Week Boston, September 30, 2016 from 1pm to 2pm.
“Remains of a Summer Bliss” (solo show) (curated by Lanfranco Aceti), Kalfayan
Galleries, Athens.
2014
“No Rest for the Wicked” (curated by Lanfranco Aceti), ArtInternational Istanbul,
Turkey.
2013
“Critical Mass”, ReMap 4, Kalfayan Galleries, Athens, Greece.
“The Market Will Save Us”, Kasa Gallery, Istanbul, Turkey.
“New Positions”, Art Cologne, Kalfayan Galleries, Cologne, Germany (AUDI Art
Award).
2012
“Parthenon Rising”, Kalfayan Galleries, Athens, Greece.
2011
“Le Temps Spectaculaire”, 3rd Thessaloniki Biennale of Contemporary Art, French
Cultural Institute, Thessaloniki, Greece.
2010
“In Between Bubbles”, Sketch, London, UK.
“Ray of Light” (with Oana Camilleri), Jewish Museum, London, UK.
GROUP EXHIBITIONS & SCREENINGS
2021
‘YOU and AI: Through the Algorithmic Lens’, Stegi, Onassis Foundation, Pedion tou
Areos, Athens, Greece  
‘The Right to Silence?’, Anya & Andrew Shiva Gallery, John Jay College of Criminal
Justice, New York, USA  
‘YOU and AI: Through the Algorithmic Lens’, Ars Electronica, Linz, Austria  
‘YOU and AI: Through the Algorithmic Lens’, Maker Faire, Gazometro, Rome, Italy
2020
‘Visual and Implemented Cognition’, Piraeus Municipal Gallery, Greece
‘MK Calling’, MK Gallery, Milton Keynes, UK
‘Images of a Floating World’, Primarolia Festival, Aigio, Greece
STEGI – Onassis Foundation, Athens. Collaborative project initiated by
FutureEverything (Manchester).
2019

‘the HOLD’ by We Are Publication, Stanley Picker Gallery, Kingston University, UK
‘A.O. – B.C. An Audiovisual Diary’, Athens School of Fine & State of Concept, Athens,
Greece
‘The Future of the Past’, Kalfayan Galleries, Athens, Greece
‘Archive: Between the Public and the Private’, Med Photo Festival, Museum of
Contemporary Art of Crete, Rethymno, Greece
‘51 Zero Festival’, Canterbury and Rochester (various locations), UK
‘Platforms Project’, Athens School of Fine Art, Greece
2018
‘European Investment Bank Institute Artist Awards’, European Investment Bank,
Luxembourg
‘Quando scoppia la pace’, World War I centenary exhibition, Vittorio Veneto, Italy
‘Theorimata’, EMST National Museum of Contemporary Art, Athens, Greece
‘Trajectories’, Watermans Arts Centre, London, UK
‘RCA Secret’, Royal College of Art, London, UK
‘Opening’, Marmo, Forlì, Italy
‘When All is Said… and Done’, Agnus-Hughes Centre for Contemporary Curation,
London, UK
‘Platforms Project’, Athens School of Fine Art, Greece
2017
“RCA Secret 2017”, Royal College of Art, London.
‘Thread’ (Curated by Areti Leopoulou), Kalfayan Galleries, Athens, Greece.
‘Gestures of Resistance’ (Curated by Jean Wainwright), Romantzo Cultural Centre,
Athens, Greece.
2016
“Good Night, And Good Luck“, A Plus A Gallery, Venice, Italy.
“nEUROsis” (Curated by Yiannis Colakides), NeMe Arts Centre, Limassol, Cyprus. 
“A Return to the Island”, Fundació Palma Espai d’Art – Casal Solleric, Palma de
Mallorca, Spain.
“PUNK: Its Traces in Contemporary Art”, MACBA Museu d’Art Contemporani de
Barcelona, Barcelona.
“Fireflies in the Night Take Wing” (curated by Robert Storr, Barbara London, Kalliopi
Minioudaki and Francesca Pietropaolo), Stavros Niarchos Foundation Cultural Center,
Athens, Greece.
“PIGS”, ARTIUM Museum of Contemporary Art of the Basque Country, Vitoria, Spain.
“RCA Secret”, Royal College of Art, London, UK.

“Devalue | Value | Surplus Value: Between work and art” (curator: Charis
Kanellopoulou, ISET – The Contemporary Greek Art Institute, Athens.
“PIGS”, Almeida Garret Galeria Municipal do Porto, Oporto.
2015
“PUNK: Its Traces in Contemporary Art”, ARTIUM Museum of Contemporary Art of
the Basque Country, Vitoria, Spain
Show Me the Money: The Image of Finance, 1700 to the present”, People’s History
Museum, Manchester, UK.
“Blindness”, Orpheus Institute, Ghent, Belgium (Performance).
“Show Me the Money”, People’s History Museum, Manchester, UK.
“TOUS POUR TOUS”, Les Chiroux, Centre culturel de Liège, Liege, Belgium. Exhibition
organised in the context of TEMPOCOLOR 2015
“1st Biennial of the South: “Peoples in Resistance”, Museo de Bellas Artes, Caracas,
Venezuela.
“Videozoom Greece: On Πause!”, MUSPAC, L’ Aquila, Italy.
“Rencontres du Film d’Art”, The Regent Cinema, Saint-Gaudens, France.
10th Mildura Biennale, Mildura Arts Centre/Rio Vista, Mildura, Australia.
Videozoom Greece: On Πause!, C/E Contemporary, Milan, Italy.
“PUNK: Its Traces in Contemporary Art”, CA2M Centro de Arte Dos de Mayo, Madrid, Spain.
“Show Me the Money”, People’s History Museum, Manchester, UK.
“Rencontres du Film d’Art”, The Regent Cinema, Saint-Gaudens, France.
2014
“No Country for Young Men: Contemporary Greek Art in Times of Crisis”, BOZAR,
Brussels, Belgium.
“The Small Infinite”, John Hansard Gallery, Southampton, UK.
“Future Past – Past Future”, Transmediale 2014, Supermarkt, Berlin, Germany.
“Passé Simple, Futurs Composés”, Le CENTQUATRE, Paris, France.
“The Value of Nothing”, TENT, Rotterdam, The Netherlands.
“An Opera of Labour and Revolution”, Kasa Gallery, Istanbul, Turkey.
“SelfConscious”, The American College of Greece Art Gallery, Athens, Greece.
Art Cologne, Film Cologne, with Kalfayan Galleries, Cologne, Germany.
“Show Me the Money”, Northern Gallery for Contemporary Art, Sunderland, UK (June)
“Videozoom Greece: On Πause!”, Museo di Roma in Trastevere & Sala 1, Rome, Italy.
Athens Video Art Festival, Technopolis, Athens, Greece
Art Basel Hong Kong, Film, with Kalfayan Galleries, Hong Kong
“Sound Matters”, The Red Room, Baltimore, USA.
“Show Me the Money”, John Hansard Gallery, Southampton, UK (October)

Art Basel Miami Beach, Film, with Kalfayan Galleries, Miami Beach, USA
2013
Film Section, Art Basel in Miami Beach, Kalfayan Galleries, Miami, USA.
“Afresh. A new generation of Greek artists”, National Museum of Contemporary Art,
Athens, Greece.
“Everywhere but Now”, 4th Thessaloniki Biennale of Contemporary Art, Thessaloniki,
Greece.
The Cinema, Art Brussels, Kalfayan Galleries, Brussels, Belgium.
“In Case of Emergency Break Glass”, Collaboration of Art:screen and Miden Festival,
Vetlanda Museum, Vetlanda, Sweden.
“Celebration: 50 Years of Video Art”, Collaboration of Nordic House and Miden
Festival, Nordic House, Reykjavik, Iceland.
“Disruption”, Royal College of Art Research Biennial, Gulbenkian Galleries, London,
UK.
Video Lounge, India Art Fair, Kalfayan Galleries, New Delhi, India.
2012
Screening organized by Festival Miden, La Soirée de Votanique, Athens, Greece.
“World Event Young Artists” (London 2012 Cultural Olympiad), Nottingham, UK.
“Cultural Embassies” (Maribor 2012 European Capital of Culture), Vetrinj Mansion,
Maribor, Slovenia.
“Traverse Vidéo: Faut Voir”, Lycée des Arènes, Toulouse, France.
“Level”, Talbot Rice Gallery, Edinburgh, UK.
Berwick Film and Media Arts Festival, The Main Guard, Berwick Upon Tweed, UK.
“Shape Open”, Portobello Gallery, London, UK.
Miden Video Art Festival, Kalamata, Greece.
Art:Screen, Örebro, Sweden.
2011
“Vessel”, George Place, Stonehouse, Plymouth, UK.
“The Constance Fairness Foundation Prize Exhibition”, Royal College of Art, London, UK.
Leeds International Film Festival, Leeds, UK.
“Time and Travel”, Ku’Damm 101, Berlin, Germany.
“Iraqi Memorial”, Elizabeth Foundation for the Arts, New York, USA (September).
“Iraqi Memorial”, Works/San Jose, San Jose, USA (November).
2010
“Traverse Vidéo: Ça Vaut La Peine”, Musée des Abattoirs, Toulouse, France.
Mare Street Biennale, London, UK.
“Iraqi Memorial”, Sheppard Gallery, Reno, Nevada, USA.

“Wrong Love”, A Foundation, Liverpool, UK.
Art Karlsruhe, Trade Fair Centre, Karlsruhe, Germany.
“Territorial Play”, Nottingham Digital Media Centre, UK.
“Time is Love”, Werk-Raum Gallery, Berlin, Germany.
“ZOOart”, Fresia Gardens, Cuneo, Italy.
“SHOW 2010”, Royal College of Art, London, UK.
“Acoustic Images”, British Film Institute, London, UK.
“EMERGEANDSEE”, Stattbad Wedding, Berlin, Germany.
“Rough Machines”, Animate Projects/APEngine, London, UK.
Festival des Cinémas Différents et Expérimentaux de Paris, France.
2009
“Pixelpops”, BolteLang Gallery, Zurich, Switzerland.
“Images Contre Nature”, Marseille, France.
Synch Festival, Technopolis, Athens, Greece.
“Let’s Rule Out Aliens for Now and Concentrate on What we Know”, Royal College of
“Art”, London, UK.
“Work in Progress Show”, Royal College of Art, London, UK.
“Palimpsest”, Thurloe Place, London, UK.
Crash Fest, Thessaloniki, Greece.
“In Transit”, Luda Gallery, St Petersburg, Russia.
All Art Now International Video Art Festival, Damascus, Syria.
2008
“Strange Screen”, Macedonian Museum of Contemporary Art, Thessaloniki, Greece.
“Propeller TV”, Sky, 3-year Broadcasting Rights (Film: Rupture).
“Eat Our Shorts”, British Film Institute, London, UK.
“Show Me The Light Show”, Candid Gallery, London, UK.
“Roll Up Art”, Bucharest, Romania.
Crash Fest, Thessaloniki, Greece.
“Discurs 08”, Institut für Theaterwissenschaft, Giessen, Germany.
Girona Film Festival, Spain.
2007
“Video Militia”, National Gallery, Jakarta, Indonesia.
“Traverse Vidéo: La Re-Visite”, Toulouse, France.
Trenton Film Festival, New Jersey, USA.
Crash Fest, Thessaloniki, Greece.
Girona Film Festival, Spain.
Festival de Vidéo Expérimental, Marseille, France.

Cinecity Brighton Film Festival, UK.
“Séquence Court-Métrage”, Toulouse, France.
Exposures Film Festival, Manchester, UK.
2006
Montecatini International Short Film Festival, Italy.
Diaroes Festival of Emerging Artists, Athens, Greece.
Athens Video Art Festival, Greece.
2005
Diaroes Festival of Emerging Artists, Athens, Greece.
Athens Video Art Festival, Greece.
Buenos Aires International Short Film Festival, Argentina.
2004
Athens International Film and Video Festival, Ohio, USA.
Trenton Film Festival, New Jersey, USA.
Alternative Film Festival, Picciano, Italy.

AWARDS & GRANTS
2023
Long listed for “Ways of Repair” online project by the Open Society Foundations and
the Loss & Damage Collaboration. https://www.waysofrepair.com/open-call .
2021
Australian National University Humanities Research Centre Visiting Fellowship 
2020
London Southbank University Research Grant
2019
Association for Art History Research Grant
Nomination for the BLOOOM Award of Art Düsseldorf, Germany (long list)
Honorary solo exhibition as a distinguished alumnus of UK Young Artists in the
context of the inaugural UKYA City Takeover Festival: Nottingham 2019 (‘Squared’,
Nottingham, UK)
Winner of the TOYOTAYA Commission by the Cork Opera House & the National
Sculpture Factory, Cork, Ireland
Nottingham Trent University Research Fund
2018
European Investment Bank Institute Artist Development Award
Representation of Greece at Italy’s permanent World War I centenary exhibition
(‘Quando scoppia la pace’, Vittorio Veneto, Italy)

Advisor to Arts Council England (Midlands Higher Education & Culture Forum)
Invitation to participate in ‘RCA Secret 2018’, Royal College of Art, London, UK
Nottingham Trent University Research Fund
2017
University for the Creative Arts Research Fund
Invitation to participate in ‘RCA Secret 2017’, Royal College of Art, London, UK
2016
University for the Creative Arts Research Fund.
2015
Mildura Biennale Residency Award (10th Mildura Biennale, Mildura, Australia),
University for the Creative Arts Research Fund.
2014
Nomination (longlist) for the Prix de la Jeune Scène Artistique Méditerranéenne
(Jean-Luc Lagardere Foundation & HYam).
Royal College of Art Research Methods Course Fund.
Royal College of Art School of Humanities Event Fund.
University for the Creative Arts Research Fund.
2013
Nomination for the AUDI Art Award of New Positions for the most innovative young
artist (Art Cologne, Cologne, Germany).
2012
Public’s Voice Winner (Category: Emerging Artist), ALICE Awards.
Selection for the London 2012 Cultural Olympiad through World Event Young Artists,
Nottingham, UK.
Guest Editor of special printed & online issue of Leonardo Electronic Almanac (LEA),
The MIT Press.
Royal College of Art Bursary.
Royal College of Art Research Fund Award.
2011
Nomination of Parthenon Rising (II) for The Constance Fairness Foundation Prize.
European Cultural Foundation/Open Society Institute Travel Grant .
Association of Art Historians Conference Grant.
Royal College of Art Bursary.
2010
Selection of Darkness as the first ever project of contemporary art presented by the
Jewish Museum of London.
2009

Best Experimental Film Award for The Origin of the Complex of Identification in Crash
Fest, Thessaloniki, Greece.
Royal College of Art Bursary.
Royal College of Art Travel Award.
2008
Royal College of Art Bursary.
Jury Member in EMERGEANDSEE Film Festival, Berlin, Germany.
Distinction for Reminiscent Light (Project Proposal) in Iraqi Memorial International
Call for Artists.
2006
Gold Remi Award for Eros (Screenplay) in Houston International Film Festival, Texas,
USA.
2005
Distinction for Faraway from Theoklymenos’ Country (Short Story) by the British
Council of Greece.

LECTURES, TALKS, PERFORMANCES
2022
‘AI, Art and Activism’, City University of London & The Culture Capital Exchange, UK
2021
‘The Museum on Show’, Musée du Louvre, Paris, France  
‘12th International Association of Word and Image Studies Conference’, University of
Luxembourg, Esch-sur-Alzette, Luxembourg  
‘Contingent Systems: Art and/as Algorithmic Critique’, Alberta University of the Arts,
Calgary, Canada  
‘Present’, Sheffield School of Architecture, University of Sheffield, UK  
‘Reflections on Cop 26: Working together for our planetary futures’, The Culture
Capital Exchange, London, UK  
‘Weaponizing Creativity’, Stegi, Onassis Foundation, Athens, Greece  
‘Orbiting the Liverpool Biennial’, Transart Institute, Liverpool John Moores University,
Liverpool, UK  
‘Espace Art Actuel: Sortir / Come Out’, Centre de Diffusion 3D, Montreal, Canada  
‘Approaching Creative Leadership Now’, The Culture Capital Exchange, London, UK
2020
‘(Un)Occupied: On Collective Authorship, Institutions and Care’, Institut Français,
Athens, Greece

‘Motif’, Nottingham Trent University, Nottingham, UK
‘Artists on Board and Fluid Postmodernities’, Primarolia Festival, Aigio, Greece
2019
‘A Breath of Red Air’, Cork Opera House, Ireland
‘45th Annual Association for Art History Conference’, University of Brighton, Brighton,
UK
‘Farewell to thee’, Phoenix, Leicester, UK
2018
‘What is Research?’, Nottingham Contemporary, Nottingham, UK
‘On Technology and the Nature of Truth’, Watermans Arts Centre, London, UK
2017
‘Against the Slow Cancellation of the Future’, Goldsmiths University, London, UK
‘Forming Collectives: Strategies in Modern and Contemporary Art’, Warburg-Haus,
Hamburg, Germany 
‘Disobedience and Complex Systems: Art, Design and Media and the Political’, Iklectik
Art Lab, London, UK
2016
‘PIGS: North and South’, ARTIUM Museum of Contemporary Art of the Basque
Country, Vitoria-Gasteiz, Spain
2015
‘Art is a Time Machine’, La Trobe University, Mildura, Australia
‘The Cuts Have Been Made: Welcome to the Aesthetic of Capitalistic Vampirism’,
Goldsmiths University, London, UK
2014
‘Breaking the Bank’, TENT, Rotterdam, The Netherlands
‘The Aesthetics of Scale: Or on How to Grasp the Little Things’, John Hansard Gallery,
Southampton, UK
‘Art Out of Time’, University of Oxford, Oxford, UK
‘The Secret Life of Data and the Future of Value’, Mozilla Festival, Ravensbourne,
London, UK
‘Art After the Crash’, Northern Gallery for Contemporary Art, Sunderland, UK
2013
‘Radical Gestures: Designing Protest, Resistance & Refusal’, Central St Martins
College of Art & Design, London, UK
‘Red Tape: Ways of Changes’ Discussion Series, Royal College of Art, London, UK
2012

‘The Challenge of The Object’, 33rd World Congress of Art History – CIHA 2012
(Comité International d’Histoire de l’Art), Germanisches Nationalmuseum, Nurnberg,
Germany
‘38th Annual Association of Art Historians Conference’, The Open University, Milton
Keynes, UK
2011
‘Guy Debord: Dernier Stratège de la Revolution?’, Institut Français, Thessaloniki,
Greece
2010
‘ReLiving Disaster: Film – History – Identity’, The London Consortium, Birkbeck
University of London, UK
2009
‘Expanded Cinema’, Central Saint Martins, London, UK
‘Reading Images: Frames and Frameworks’, Association of Art Historians, University
of Bristol, Bristol, UK
‘Literature, Art and Culture in an Age of Global Risk’, Cardiff University, Cardiff, UK
2008
‘Bodies of Evidence’, Association of Art Historians, Oxford Brookes University, Oxford,
UK.

Chairmanships of Conferences, Panels & Academic Sessions
​
2022
‘DRHA 2022 – 26th Digital Research in the Humanities and Arts Annual Conference’,
Kingston University, London (Deputy Chair of conference)
‘Artists and the Garden: New Perspectives’, Hestercombe House, Taunton, UK (Chair
of conference)
2021
‘Institution as Praxis: In Conversation’, Institute of Contemporary Arts, London, UK
‘47th Association for Art History Annual Conference’, University of Birmingham, UK
(Chair in academic session: “The Real Price: Between Art and the (Art) Market”)
‘What happens before the bullet hits the body’, Stegi, Onassis Foundation, Athens,
Greece
‘Informality as a Tool for Participatory Urban Democracy’, Ministarstvo Prostora,
Belgrade, Serbia
‘Practice Research: Interdisciplinary Methodologies in Cultural Institutions and HEIs’,
Birmingham City University, Birmingham, UK

2019
‘Architectures of Education’, Nottingham Contemporary, UK (Chair of conference)
‘Mapping the Midlands’, Empire, Coventry, UK (Chair of “Collaborative Research”
panel)
2018
‘Post-Representational Curating: Militating History (Archaeology of the Final Decade)’,
Nottingham Trent University, Nottingham, UK (Chair of “Creative Innovation Across
Disciplines” Seminar)
‘What is Research?’, Nottingham Contemporary, UK (Chair of conference)
2016
‘42nd Association of Art Historians Annual Conference’, Edinburgh University,
Scotland, UK (Chair in academic session: “In and Out of Art History: The Video
Games Conundrum”)
2015
‘Board Meeting’, Guest Projects/Yinka Shonibare Studio, London (Chair in panel
discussion)
2014
‘Red Art’, Royal College of Art, London, UK (Chair in panel discussion)
2013
‘The Cost of Living’, Royal College of Art, London, UK (Chair in panel discussion)
2011
‘ISEA 2011’, Sabanci University, Istanbul, Turkey (Panel chair in 2 academic
sessions: “From New Media to Old Utopias: ‘Red’ Art in Late Capitalism?” & “Art and
Activism in Digital Age II”)

Academic & Advisory Positions
 
Associate Professor & Director of Research, Business and Innovation, School of Art &
Architecture, Kingston University, London (Since May 2019)
​
Associate Professor in Visual Communication & Research Coordinator, School of Art &
Design, Nottingham Trent University, Nottingham, UK (2017-2019)
​
Advisor to Arts Council England (Midlands Higher Education & Culture Forum, since
July 2018)
​

Kalfayan Galleries

11 Haritos Str, Kolonaki, 106 75 Athens, Tel: +30 210 7217679 Fax: +30 210 7217623

info@kalfayangalleries.com www.kalfayangalleries.com
Advisor to the Council for Higher Education in Art & Design (CHEAD) / CHEAD
Research Alliance (since October 2020)
​
Advisor to The Culture Capital Exchange (TCCE) / Leadership Think Factory (since
December 2020)
​
Book proposals reviewer for The MIT Press (Art, Architecture, Design and Visual
Culture) and Routledge (Humanities and Media Arts)
​
Member of the Peer Review College of the TECHNE Doctoral Training Partnership
(since February 2020)
 
Editor of the Leonardo Electronic Almanac, ISAST / The MIT Press (February 2012 –
September 2020)
 
Leader of Critical Theory of BA (Hons) Digital Film and Screen Arts & BA (Hons)
Computer Games Arts, University for the Creative Arts, Farnham, UK (2013-2017)
 
Lecturer at the MA Programmes of the School of Film and Media, University for the
Creative Arts, Farnham, UK (2014-2015)
 
Visiting Lecturer in Professional Practice, University for the Creative Arts, Maidstone,
UK (2011-2012)
 
Curatorial Projects
 
2013
‘Disruption’, Royal College of Art Research Biennial, Gulbenkian Galleries, Royal
College of Art, London, UK
 
2008
‘Postponed Ascendancy’, for Eat Our Shorts, British Film Institute, London, UK
‘Six Lies and Video Art’, DVD Collection of Experimental Films and Videos, Maidstone,
UK
 
Selected Bibliography

2021
Bill Balaskas & Carolina Rito (eds), Fabricating Publics: The dissemination of culture
in the post-truth era, Liverpool: Open Humanities Press (Book)
Bill Balaskas, “The Hackers of the Streets: Art, Networks and Post-Crisis Urbanity”, in
Espace Art Actuel, No 127, Winter 2021 (Article)
Bill Balaskas, “Making Time for Each Other; from Economic Paradigm to Empathy in a
Pandemic”, in Creative Leadership Now, London: The Culture Capital Exchange
(Article)
Bill Balaskas, “The Stich of Collaboration”, in A Stitch in Time Saves Nine, Aigio:
Primarolia Festival (Essay)
2020
Bill Balaskas & Carolina Rito (eds), Institution as Praxis: New Curatorial Directions for
Collaborative Research, Berlin: Sternberg Press (Book)
Nick Axel, Bill Balaskas, Nikolaus Hirsch, Sofia Lemos, and Carolina Rito (eds),
“Architectures of Education”, on e-flux Architecture (Online Special Issue)
Bill Balaskas, “O kosmos tis technis to 2020”, in Ta Nea tis Technis, Issue 248,
January-March 2020 (Article – in Greek)
2018
Bill Balaskas, “The Imaginary Reconstitution of Leadership”, in A Return to the Island,
edited by Helena Lugo, London: Goldsmiths University (Book)
Bill Balaskas, “David Hockney’s auction record: a triumph of nostalgia over
spectacle”, in The Conversation, 20 November 2018 (Article)
2015 
Bill Balaskas, “Liberating Speculation: Art, the Currency of Capitalism and the Death
of Currencies”, in Journal of Visual Culture, Volume 14, Number 2, August 2015
(Article)
Bill Balaskas, “Blindness”, in The Dark Precursor, Orpheus Institute, Ghent, Belgium
(Conference Proceedings)
2014
Lanfranco Aceti, Bill Balaskas, Susanne Jaschko and Julian Stallabrass (eds), “Red
Art: New Utopias in Data Capitalism”, Leonardo Electronic Almanac / LEA Books,
London: Goldsmiths University / The MIT Press (Book)
Bill Balaskas, “British Art”, in Revista Arta, Issue 12, December 2014 (Article)
2013
Bill Balaskas, “Living in a Global ‘Society of the Spectacle’: From Guy Debord to the
Economic Crisis through an Exhibition of Contemporary Art”, in Third Text, Volume
27, Issue 4, July 2013 (Article)

2012 
Bill Balaskas, “Antonin Artaud’s Cinema of Cruelty and the Impossible Search for the
Authentic Medium. A Lesson for the Digital Age”, in The Challenge of The Object,
33rd Congress of the International Committee of the History of Art, Germanisches
Nationalmuseum, Nurnberg, Germany (Conference Proceedings)
2011 
Bill Balaskas, “From New Media to Old Utopias: ‘Red’ Art in Late Capitalism?”, in ISEA
2011, Sabanci University, Istanbul, Turkey (Conference Proceedings) 
2008
Bill Balaskas, Postponed Ascendancy, in Eat Our Shorts, British Film Institute,
London, UK (Curatorial Statement)
2006
Bill Balaskas, “Faraway from Theoklymenos’ Country”, in Tales from the City, Stories
from the Sea, Athens: Periplous Publications (Book – in Greek)
 

Selected Publications, Press & Media
​
2021
Foteini Vergidou, ‘In Conversation with Bill Balaskas’, in Ferocious Urbanities, 15
September 2021 (Interview)    
Giorgia Basili, ‘MakerArt, la sezione dedicata all’arte visiva del Maker Faire a Roma’,
in Artribune, 9 October 2021 (Article – in Italian)    
Giorgos Mitropoulos, ‘I techniti noimosyni katakta to Pedion tou Areos’, in Euronews,
7 July 2021 (Article – in Greek)    
Dimitris Papadopoulos, ‘Mia volta stin ekthesi You and AI sto Pedion tou Areos’, in
Athens Voice, 19 July 2021 (Article – in Greek)  
2020
Max L. Feldman, ‘a.O. – b.c.: An Audiovisual Diary at Athens School of Fine Arts and
State of Concept’, in ArtReview, January-February 2020 (Review)
Maria Ksypolopoulou, ‘Entretien avec Bill Balaskas’, in Revue Point Contemporain,
Issue 15 (Interview – in French)
Melina Sidiropoulou, “I kinitikotita kai oi opseis tis”, in To Vima, 30 August 2020
(Article – in Greek)
2019
‘Bill Balaskas Awarded the TOYOTAYA Commission, Cork’, in Visual Arts Ireland, 21
May 2019 (Article)

‘Spectacular world premieres for 2019 Cork Midsummer Festival’, in HiStyle, 2 May
2019 (Article)
‘Cork Midsummer Festival 2019’, Cork Opera House, Cork, Ireland (Catalogue)
Maria Ksypolopoulou, ‘Bill Balaskas: Red Air’, in Point Contemporain, 10 November
2019 (Article – in French)
‘Unique art installation created in city from iconic Toyota sign’, in The Echo, 14 June
2019 (Article)
Spyros Staveris, ‘MedPhoto Festival 2019-2020’, in LIFO, 24 October 2019 (Article)
Cristín Leach, ‘Review: visual art exhibitions at the Cork Midsummer Festival 2019′,
on RTE Radio 1 (‘Arena’ with Seán Rocks), 17 June 2019 (Review)
2018
‘Theorimata’, EMST National Museum of Contemporary Art, Athens, Greece
(Catalogue)
Valentina Poli, ‘Un progetto internazionale per ricordare la Battaglia di Vittorio
Veneto’, in Artribune, Issue 44, July – August 2018, p. 18 (Article – in Italian)
Roberta Durante, ‘The opening of the first Centenary of International Contemporary
Art: 12 public art artworks enlighten historical Vittorio Veneto’, in JULIET, 2
November 2018 (Article)
Helena Lugo, ‘De regreso a la isla’, in Revista LATE, 17 February 2018 (Article)
‘Vittorio Veneto, atelier per 13 artisti da tutto il mondo’, in Oggi Treviso, 8 June 2018
(Article)
‘Partner, la sfida vinta dal territorio’, in La Tribuna di Treviso, 27 June 2018 (Article)
2017
Ioli Tzanetaki, “Living Forward, Looking Backward”, in Archipelago, Issue 4,
“Melancholia”, London: Goldsmiths University, 2017, pp. 20-25 (Review)
‘An Odyssey Through Greece in Recession: Nadja Argyropoulou, Apostolos Georgiou,
Bill Balaskas and Sylvia Kouvali’, on RCA and BBC Radio, 1 May 2017 (Podcast
Interview)
Lanfranco Aceti, “End of a Summer Bliss: Or How We Capitalized on the Spectacle of
Our Death at the Beach”, in End of a Summer Bliss, Cambridge, MA: LEA / MIT Press
(Book)
‘SHOW 2017’, Royal College of Art, London, UK (Catalogue)
“Romantso Cultural Centre, Athens, Holds Gestures of Resistance Exhibition”, in The
National Herald, 17 April 2017 (Article)
Sakis Ioannidis, “Nimata you sindeoun ton 19o aiona me to simera”, in Kathimerini,
10 May 2017 (Article – in Greek)

Yiannis Zouboulakis, “Eikastikes Askiseis Isorropias” in BHMA, 19 November 2017
(Article – in Greek)
‘Art Thessaloniki’, Special Projects, Thessaloniki, Greece (Catalogue)
Eva Kekou, “I Jean Wainwright milaei gia tis Chironomies Antistasis”, in Art22.gr, 8
October 2017 (Article – in Greek)
Thomas Büsch, “The Assassination of Guy Debord”, in Inenart, 10 May 2017 (Article)
2016
Maria Nicolacopoulou, “Metamorphosis”, in Frieze, 5 July 2016 (Review) 
Anastasia Voutsina, “Eksi ekthesis gia to Athinaiko kalokairi”, in Athens Voice, 11
August 2016 (Article – in Greek)
‘PIGS’, ARTIUM Museum of Contemporary Art of the Basque Country, Vitoria, Spain
(Catalogue)
Ioanna Gomouza, “I Ellada mou thimizei sychna ena skili pou trechi giro apo tin oura
tou”, in In2Life.gr, 12 September 2016 (Interview – in Greek)
Mathilde Urfalino, “Le moment Grec au prisme de l’art”, in Les Inrocks, 24 September
2016 (Review- in French)
Maria Ksypolopoulou, “O rolos tou kallitechni einai simera pio politicos apo pote”, in
Art22.gr, 23 September 2016 (Interview – in Greek)
‘Devalue, Value, Surplus Value: Between Work and Art’, ISET Contemporary Greek
Art Institute, Athens, Greece (Catalogue)
Pavlos Papadopoulos, “To thriller tou Brexit kai oi Ellines” in BHMagazino, Issue 820,
3 July 2016, (Article – in Greek)
Noemi Mendes, “PIGS: Si los cerdos hablasen”, in ABC, 17 March 2016 (Review – in
Spanish)
Marilena Astrapellou, “Poso kostizi i techni?” in BHMagazino, Issue 809, 17 April
2016, (Article – in Greek)
Eli Anapur. “Group exhibition ‘Good Night And Good Luck’ is open at A Plus A
Gallery”, in Widewalls, 20 September 2016 (Article) 
Santiago Zabala, “Art for the Troika”, in Public Seminar, 27 April 2016 (Review)
Meropi Moiseos, “Ikastiki nEUROsi”, in Politis tis Kyriakis, ‘Parathyro’, 6 November
2016 (Review – in Greek)
“Epiloges tis evdomadas”, in Kathimerini, 10 September 2016 (Article – in Greek)
‘De Regreso a la Isla’, Fundació Palma Espai d’Art, Casal Solleric, Palma de Mallorca,
Spain (Catalogue)
“Remains of a summer bliss”, in COZYHOME, Issue 23, Autumn 2016 (Article – in
Greek)
‘Good Night, And Good Luck’, A Plus A Gallery, Venice, Italy (Catalogue)

Marilena Astrapellou, “Ta apominaria mias eftichias”, in BHMagazino, Issue 832, 25
September 2016 (Article – in Greek)
Eleni Zymaraki Tzortzi, “Interview with Bill Balaskas”, in Ex_Posure, 4 October 2016
(Interview)
Ioanna Gomouza, “Vrechi ekthesis ton Septemvrio”, in In2Life.gr, 23 September
2016 (Article – in Greek)
Emmanuel Saulnier (ed.), Greek Moment / Moment Grec, Paris: Editions du Regard
(Book)
2015 
Sergio C. Fanjul, “El punk no ha muerto”, in El País, 27 March 2015 (Review – in
Spanish)
Siska Lyssens, “Politics, popularity and painting: Katerina Gregos provides us with
some new perspectives at Art Brussels”, in Wallpaper, 27 April 2015 (Article)
Sheridan Stewart, “A preview of the 10th Mildura Biennale – Jonathan Kimberley, Bill
Balaskas and Junichiro Iwase”, on ABC Radio, 3 August 2015 (Interview)
Matylda Krzykowski, Display, Maastricht: Charles Nypels Lab / Jan van Eyck
Academie (Book)
Michael DiFabrizio, “Biennale unites artists around world”, in Sunraysia Daily, 10
August 2015 (Article)
Gregorio Roldán, “PUNK in La aventura del saber”, on TVE – Spanish National
Television, 15 September 2015 (Review) 
Federica Lonati, “Punk never dies. Una mostra al CA2M”, in Artribune, 7 June 2015
(Review – in Italian)
Lorenzo Taiuti, “Rassegna di videoarte itinerante Videozoom: Grecia”, in D’ARS
Magazine, 27 September 2015 (Article – in Italian)
‘1st Biennial of the South’, Museo de Bellas Artes, Caracas, Venezuela (Catalogue)
Alexia Amvrazi, “Outshining the spectacle”, in My Greek Review, 22 March 2015
(Interview)
Estefanía Vasconcellos, “El punk no se acaba nunca”, in El Mundo, 7 April 2015
(Article – in Spanish)
‘PUNK: Its Traces in Contemporary Art’, CA2M Centro de Arte Dos de Mayo, Madrid,
Spain (Catalogue)
‘10th Mildura Biennale’, Mildura Arts Centre/Rio Vista, Mildura, Australia (Catalogue)
Luis Cornago, “El punk y sus rastros”, in Letras Libres, 19 August 2015 (Review – in
Spanish)
2014
Paul Carey-Kent, “The Small Infinite”, in Frieze, Issue 166, October 2014 (Review)

Lunettes Rouges, “Ruines et catastrophes au 104”, in Le Monde, 1 October 2014
(Review – in French) 
Despina Zefkili, “Afresh”, in Frieze, Issue 163, May 2014 (Review)
Evrim Altuğ, “80 galeride devr-i âlem”, in Cumhuriyet, 26 September 2014 (Article –
in Turkish)
Janssen Adriaans, “The Value of Nothing”, in Domus, 22 September 2014 (Article)
Katerina Zacharopoulou, “I Epochi ton Ikonon – No Country for Young Men”, on ERT –
Greek National Television, 17 September 2014 (Review – in Greek)
Jan Van Hove, “Een volk op de dool”, in De Standaard, 30 March 2014 (Review – in
Dutch)
‘No Country for Young Men: Contemporary Greek Art in Times of Crisis’, BOZAR,
Brussels, Belgium (Catalogue)
Maria Pappa, “Transmediale”, in LIFO, 30 January 2014, pp. 26-27 (Interview – in
Greek)
‘The Value of Nothing’, TENT, Rotterdam, The Netherlands (Catalogue)
Juliette Bouveresse, “Festival Temps d’images, exposition «Passé simple, futurs
composés. Des images en contrechamp»”, in Les clés du Moyen-Orient, 10 October
2014 (Article – in French)
‘Show Me The Money: The Image of Finance From 1700 to the Present’, eds Paul
Crosthwaite, Peter Knight and Nicky Marsh, Manchester: Manchester University Press
(Book)
Bonnie E. Engel, “Artists’ creativity captured on film as Art Basel goes behind the
scenes”, in South China Morning Post, 15 May 2014 (Article)
Despina Zefkili, “Why ‘Afresh’ is not simply another exhibition of Greek young
artists”, in Athinorama, 9 January 2014 (Review – in Greek)
‘Videozoom Greece: On Πause!’, Museo di Roma in Trastevere, Rome, Italy
(Catalogue)
‘Art Cologne’, Film Cologne, with Kalfayan Galleries, Cologne, Germany (Catalogue)
‘Art Basel Hong Kong’, Film Sector, with Kalfayan Galleries, Hong Kong (Catalogue)
2013
Pac Pobric, “Art Basel’s best artist videos” in The Art Newspaper, 6 December 2013,
p.19 (Review)
“New Positions of Art Cologne 2013”, on Eiskellerberg TV, 21 April 2013 (Interview)
Ginevra Bria, “Quarta Biennale di Salonicco. Everywhere intersections”, in Artribune,
27 September 2013 (Article – in Italian)
Coline Milliard, “Greek Student Unfurls 23-meter Banner on RCA Façade to Protest
Against Finance’s Dominance” in BLOUIN ARTINFO, 15 January 2013 (Article)

‘Afresh: A New Generation of Greek Artists’, National Museum of Contemporary Art,
Athens, Greece (Catalogue)
Vivi Vourtsa, “Bill Balaskas: Art Sans Frontieres” in 2board, Issue 21, pp. 88-89
(Interview)
‘4th Thessaloniki Biennale of Contemporary Art’, Thessaloniki, Greece (Catalogue)
‘Art Basel Miami Beach’, Film Sector, with Kalfayan Gelleries, Miami Beach, USA
(Catalogue)
“Vingt-deux jeunes artistes sélectionnés pour Art Cologne” in Le Quotidien de l’ Art,
Issue 345, 25 March 2013, p. 3 (Article – in French)
George Efremidis, “Bill Balaskas: Critical Mass” in REVma -/+, 19 September 2013
(Review – in Greek) 
‘Disruption’, Royal College of Art Research Biennial, Gulbenkian Galleries, London, UK
(Catalogue)
‘Art Cologne’, with Kalfayan Galleries, Cologne, Germany (Catalogue)
Marilena Astrapellou, “Greek personalities of 2013” in BHMagazino, Issue 688, 22
December 2013, pp. 24-41 (Article – in Greek)
‘Art Brussels’, The Cinema Sector, with Kalfayan Galleries, Brussels, Belgium
(Catalogue)
Nancy Aggelopoulou, “Bill Balaskas at ReMap 4”, on Athens 9.84 Radio, 11
September 2013 (Interview – in Greek)
‘India Art Fair’, Film Sector, with Kalfayan Galleries, New Delhi, India (Catalogue)
“I taksi tou 2013” in Ependytis, ‘Passe Par Tout’, Issue 39, 11 January 2013 (Article –
in Greek)
2012 
Elena Dolcini, “Bill Balaskas: Nuove Strategie Situazioniste” in ESPOARTE, Issue 77,
pp. 54-55 (Article – in Italian)
Yiorgos Karouzakis, “Playing with Symbols” in LIFO, Issue 314, 1 November 2012, p.
55 (Article – in Greek)
Katia Papadopoulou, “Future Makers: Bill Balaskas” in Ependytis, ‘Passe Par Tout’,
Issue 26, 12 October 2012 (Interview – in Greek)
Alexia Amvrazi, “Bill Balaskas and the Parthenon”, on Athens International Radio, 12
October 2012 (Interview)
Kaja Kraner, “Svetovni dogodek mladih” in Vecer, 24 July 2012 (Article – in
Slovenian)
‘Berwick Film and Media Arts Festival’, The Main Guard, Berwick Upon Tweed, UK
(Catalogue)

Petra Skok, “Bill Balaskas in Maribor 2012, European Capital of Culture”, on RTV –
Slovenian National Television, 12 July 2012 (Interview) 
‘Traverse Vidéo: Faut Voir’, Lycée des Arènes, Toulouse, France (Catalogue) 
2011 
‘Time and Travel’, Ku’Damm 101 Hotel, Berlin, Germany (Catalogue)
2010
‘Mare Street Biennale’, London, UK (Catalogue)
‘Traverse Vidéo: Ça Vaut La Peine’, Musée des Abattoirs, Toulouse, France
(Catalogue)
‘SHOW 2010’, Royal College of Art, London, UK (Catalogue)
‘Iraqi Memorial’, Sheppard Gallery, Reno, Nevada, USA (Catalogue)
‘ZOOart’, Fresia Gardens, Cuneo, Italy (Catalogue – in Italian)
2009
‘Images Contre Nature’, Marseille, France (Catalogue)
‘Crash Fest’, Thessaloniki, Greece (Catalogue)
2008
‘Strange Screen’, Macedonian Museum of Contemporary Art, Thessaloniki, Greece
(Catalogue)
‘Eat Our Shorts’, British Film Institute, London, UK (Catalogue)
‘Crash Fest’, Thessaloniki, Greece (Catalogue)
‘Girona Film Festival’, Girona, Spain (Catalogue)
2007
Simone Dompeyre, “Reality of Love” in Traverse Vidéo: La Re-Visite, Toulouse,
France (Catalogue – in French)
‘Video Militia’, National Gallery, Jakarta, Indonesia (Catalogue)
‘Crash Fest’, Thessaloniki, Greece (Catalogue)
‘Girona Film Festival’, Girona, Spain (Catalogue)
‘Exposures Film Festival’, Manchester, UK (Catalogue)